This was without a doubt my favorite couture collection of the seasons–I simply love every garmet that came down the runway. I can’t get over how intricate and delicate each and every garmet is. The gowns were all Turkish-inspired garmets that were intricately embroidered and heavily beaded, yet they all still managed to look as light as air when they came down the runway. All of the looks were high glamor as Saab said that he focused on “onfusing the collection with imperial splendor”. The almost ephemeral quality of many of these dresses came from their materials: sheer fabrics, which adorned rich embellishments, such as Ottoman Empire motifs and fabric treatments that looked like gold leaf from afar. But Saab brought the collection back down to the ground with dresses in solid fabrics, too, which he decorated with the same expert hand he applied to the other breezy fabrics that floated down the runway.